![]() I was more interested in young women finding pleasure and having fun and that kind of pursuit. But for me, that really wasn’t the point of my novel. And I think that, of course, there’s always going to be space for that. Marlowe Granados: I think it was more just like, people wanted stories about how hard it was to be a woman. Is that right? It’s kind of like the Me Too moment. ![]() You know what I’m saying? And you know, correct me if I’m wrong, but I was prepping for this call and reading about how when the book was first on submission, and you weren’t finding any luck, that a lot of people were looking for a different kind of story related to the feminist aspects of the novel. It’s like a book that channels something that the culture is just so ready for at that particular moment, and it seems to have a kind of energy working for it that is outside of it. I think about that when I think about books that really break out. That’s something that comes down to serendipity. Brad Listi: You talk about timing, like market timing. ![]()
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